A Conversation With Two Artists

A Conversation With Two Artists

TBO.com Staff
Updated: March 21, 2013 at 06:23 AM

South Tampa artists Taylor Ikin and Laura Waller are hosting their fifth joint exhibition in as many years at Nuance Galleries in South Tampa. Both artists are watercolorists, but Ikin paints large expansive landscapes on YUPO paper, a slippery, shiny surface that is generally reserved for commercial use; Waller paints smaller and more focused images on a traditional watercolor surface. The Ikin/Waller kind of collaboration is unusual among artists, acknowledged Nuance owner Robert Rowen. “It’s a rare thing to have two of your best-selling gallery artists approach you and want to do a show together year after year,” he said. “Their work is different, but there’s this synergy that happens between them that makes it an interesting show. And there’s no

I recently sat down with the two artists over coffee to talk about their unusual partnership. Q – How did you two meet? TI– My first big memory of Laura is when she and her husband, Ed, bought one of my paintings about 15 years ago. But we’ve known each other at least 20 years. LW – That’s right, because we share mutual friends. And then after I bought the painting, I took a private Saturday morning class with Taylor. It was painting on YUPO, and I don’t paint on YUPO away from Taylor, but I love it when I am with her. Q – How and when did you start exhibiting together? LW – I had built up quite a body of work and wanted a place to show it. There was a gallery that would show me but they said I needed more work. TI – So she asked me to join her, and I was delighted. But I was already represented by Nuance, so I asked Robert (the owner of Nuance), and he said he thought it was a great idea. That was in 2007. So this is our fifth year showing together. Q – What is it you like about exhibiting together? TI – One thing is that when you establish the fact that it’s going to be an ongoing thing, it makes you focus on what you’re doing and building up a good body of work for it. LW – Our styles are very different, but between the two of us the people who come always find something they like. TI – The audience appreciates the diversity. Q – Tell me about your “differences.” LW – Taylor does a lot of the entire state of Florida, and I don’t really do Florida. I travel a lot, and I paint a lot of boats, which is something a lot of women don’t do. And about a year ago, I got into oils because they now have water-mixable oils, so I don’t have to mess with turpentine.TI – I do watercolors, and I work exclusively on YUPO paper for 17 years now. I can’t get enough of it. Every time the brush hits the paper, it’s a new experience, and I don’t have to respond to it. I just have to create out of the chaos. Q – How about the size of your paintings? LW – I like to paint small, which draws the viewer in, so they have to be engaged. They’re kind of using their own mind to finish the piece. TI – The size I paint has been determined by the fact that I can’t find a piece of paper larger than 26 by 20 inches from the YUPO people. If I could get a larger paper, I’d love it. I like that wonderful sense of freedom of being able to take that brush and load it with paint and zing it on the paper. And the larger the surface, the more chance I have to play, and that is my joy when I’m painting. The play. The opportunity for the paint and the water to create something that I by myself could never come up with. Q – Those are the differences. So how do you “complement” one another? LW – We both like photorealism. TI – And we both like life a great deal, and it shows in our work. We struggle to get a good painting and all that, but there’s a great joy in that process. Q – A lot of artists might say the same thing. What else do you have in common? TI – Our palettes are similar. There’s nothing jarring.LW – Our works are from all over. The show is a panorama of the world. TI – Mine come from all over Florida and the South of France, where I went last spring and plan to go again next spring. LW – And mine come from France, Quebec City in winter, California and Maine, where I usually spend the fall. Q – Do you each have a favorite piece in the show? LW– “July 4th at Laguna Beach.” My daughter had just moved to Laguna Beach, and we went there and saw all these congregations of families under umbrellas. This particular group of people was such a blend of personalities, and you could tell they were all family. So it was fun to paint them. TI – “Steps of Eze.” It came from my visit to Eze in the South of France last spring. It goes up these long steps to this window and it has a sense of clarity because the light is so gorgeous. And I admire mightily the folks who live in those hilltop towns with all those steps to climb. It’s a happy place. The way they use potted plants always interested me. They give so much warmth to the painting.”

Correspondent Esther Hammer can be reached at [email protected]

Landscapes, seascapes refresh the viewer at Studio@620, Nuance Galleries

Lennie Bennett, Times Art Critic

Wednesday, May 12, 2010 4:30 a.m.

If you still crave a nature fix but are more interested in standing under an air-conditioning vent than the blazing sun, consider a visit to two area galleries where landscape paintings bring the outside indoors. Landscapes became a popular genre in the prephotography days when people wanted reminders of places visited or armchair travelers wanted to dream of places only imagined.

Thomas Murray delves into a mythological exploration of a garden in a series titled “Archetyptonics” at Studio@620, 620 First Ave. S, St. Petersburg. Loaded with references to goddesses — and be aware that the show contains nudity — Murray’s paintings also depict a lush paradise such as this one. The show continues through May 22. Gallery hours are noon to 4 p.m. Tuesday through Saturday. Free. [email protected].

Taylor Ikin and Laura Waller offer more literal versions of the great outdoors in an exhibition at Nuance Galleries, 804 S Dale Mabry Highway, Tampa. Ikin paints on a plastic paper called YUPO that gives her watercolors a high gloss. Recently, she has been roaming Hillsborough County for unspoiled pockets of natural beauty as her subject. Waller, who also works in watercolors, often record her travels. She has applied her impressionist style to the Maine landscape in this new series. The show continues through May 31. Gallery hours are 10 a.m. to 5 p.m. Monday through Friday and 10 a.m. to 4 p.m. Saturday. Free.

Same Medium, Different Results

ESTHER HAMMER Tribune correspondent
Published: April 28, 2010
Updated: July 11, 2013 at 04:36 PM

South Tampa artists Taylor Ikin and Laura Waller have exhibited together for four years. Both are watercolorists, but their individual styles are worlds apart. Waller tends toward smaller paintings; Ikin toward larger ones. Waller paints on a traditional toothed surface; Ikin paints exclusively on Yupo, a slick, shiny synthetic surface originally designed for the paper industry. Waller employs a soft touch that lends her paintings a soothing, flowing feel; Ikin drenches her paper with colors, using them almost like oils, then manipulates them to give the final piece movement and texture. In this case, contrast is a good thing. It gives their latest exhibit, “What’s New,” opening Saturday at Nuance Galleries in South Tampa, those elusive elements of excitement and curiosity. Waller, who said her style falls somewhere between realism and impressionism, brings her love of travel into her paintings, recalling people and places she has visited in Europe, Iceland and the United States. She recently renewed her love of the French Quarter in New Orleans.

“I love any place where people are gathering,” she said. “I’m eclectic in taste, but I love painting people.” Every fall she goes to Maine and paints in the Rockland area, but last week she tried a different locale. She took “the back logging roads in Millinocket, Maine, into the wilderness and painted these absolutely gorgeous rivers and streams with Mount Kalahdin in the background,” she said. Ikin, who has been called the Yupo Queen, was among the first artists to experiment with Yupo as a painting surface for fine art, and has been painting on it and teaching others her technique for 11 years. “It’s sort of like a paintbrush on roller skates,” she said. “You load a brush, like you put on your shoes, and once it touches the surface, there’s a tremendous action without moving very much. It skips, it slips, it slides and bounces and it will roll and twist and run in any direction if you’re prepared to tilt the surface.” Controlling activity is the tricky part, and also part of the fun, she said. “What doesn’t please me I can take my brush and then scoot right through the paint right back to the white surface of the paper and remove it,” she said. “Basically my style of painting is I’m a lifter. I put it down and lift it out.” Her recent collection, “The Road Less Traveled,” opened at the Dunedin Fine Art Center in January and closed in early March. The collection highlighted forgotten and beautiful areas in Florida. Many of the pieces from that collection can be seen in the “What’s New” exhibit at Nuance. Meet both artists and compare and contrast their works at an opening reception from 6 to 9 p.m. Saturday at Nuance, 804 S. Dale Mabry Highway. The exhibit runs through May 31. Call the gallery at (813) 875-0511 for information. Graduates offer an exhibit of variety Student art shows abound this time of year as graduates display their sharpened skills. University of Tampa’s graduating seniors will present a multimedia exhibit May 6-8 at the Scarfone/Hartley Gallery on campus. Added to the usual two-dimensional pieces this year are sculptures, installations and live performances. Hannah Hudson’s installation “Family Dinner” brings the environmental “green” message to the dinner table with grass serving as the table top. Jeff Gibbons presents several sculptures and also turns himself into a clay man for a performance piece called “Who’s Sorrows.” Meet the artists and see their work at a free reception from 7 to 9 p.m. May 7 at the gallery in the R.K. Bailey Art Studios, 301 N. Boulevard. For information, call (813) 253-6217. Get kids’ point of view at photography museum As part of an ongoing outreach program, Literacy through Photography, the Florida Museum of Photographic Arts partnered with the Boys & Girls Clubs of Tampa Bay to give cameras to 80 students in grade school through high school. The students were encouraged to explore their neighborhood through the camera’s lens. The visual and verbal results of their efforts are revealed in a one-night exhibit, “My Club, My Place, My Point of View,” featuring selected works from each student. Museum members and their guests may view the works and meet some of the artists at an awards reception from 6:30 to 7:30 p.m. Thursday.Nonmembers may become members that night. Call (813) 221-2222 for information.

Correspondent Esther Hammer can be reached at [email protected].

Watercolorists Ikin and Waller exhibiting at Tampa’s Nuance Galleries

Watercolorists Ikin and Waller exhibiting at Tampa’s Nuance Galleries

Lennie Bennett, St. Petersburg Times Art Critic
In Print: Thursday, November 13, 2008

Two watercolor artists in a joint exhibition at Nuance Galleries, 804 S Dale Mabry Highway, Tampa, bring different approaches to a medium that invite a closer look. Taylor Ikin is a longtime professional painter who switched several years ago to an atypical shiny, nonabsorbent paper that produces glowing surface effects for her landscapes. Laura Waller is a professional financial planner with a longtime record as an arts advocate who paints in watercolor as an avocation, using traditional paper that results in a more realistic style. Both women create lovely works and any sold during the show’s run through Dec. 8 will result in a contribution to the Mayo Clinic Cancer Center. Shown are Waller’s The Race, top. (813) 875-0511; nuancegalleries.com.